Archive for March, 2010



Music Video as Art: Kelis and MGMT

Tuesday, March 30th, 2010

Kelis’ new video for the song “Acapella” debuted yesterday and after a brief hiatus from the industry, it’s safe to say she is officially back. The video, directed by John “Rankin” Waddell and Chris Cottam, is an etheral optical treat, featuring outstanding art direction and incredible costuming and make-up. Mixing equal parts warrior, goddess, and mother (check out the cute cameo from her adorable son Knight), Kelis reminds us why she is a still an artist to be reckoned with. The song, from her forthcoming album “Flesh Tone” produced by David Guetta, is a testament to her musical flexibility, a smooth electro-house song that showcases her malleable yet always distinct voice.

In the immortal words of Too $hort, damn girl, don’t hurt ‘em.

The new MGMT video is, for lack of a better word, bizarre. The whole thing is hip get-ups and what I can only assume to be veiled political commentary, all taking place at some preternatural party where the band members are apparently the guests of honor, until they aren’t anymore. It gets especially odd around the 1:47 mark, when the ventriloquist dummies appear and what I can only assume is a recorder is played. Once the eel-like creature was procured from Martin Goldwasser’s throat, they sort of lost me, but overall the video is novel and worth a view.

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Of Bondage and Botany: Araki’s Perspective

Monday, March 29th, 2010

Los Angeles gallery Prism recently debuted their latest exhibition, the work of world-renowned Japanese photographer Nobuyoshi Araki. Best known for his provocative, erotic work, the exhibit features Araki’s photos of colorful ripe flowers (erotic in their own way) and women tied in kinbaku which literally translates to “the beauty of tight binding”), as well as an installation of smaller prints encased in a glass wall.

The photographer recently shot Lady Gaga for Vogue Hommes Japan and with over 450 published books to his name, maintains his reputation as Japan’s most prolific artist. Don’t miss this rare chance to see a representative sampling of over 70 pieces of his work housed in PC Valmorbida and Jared Nijar’s beautiful three-story architectural space. Prism opened this past October to critical praise for their first exhibit “Minding the Gap” featuring the work of Barry McGee and Phil Frost. The gallery is set to become a cultural touchpoint for art in Los Angeles, with plans to integrate lectures and film viewings in the future.

See “Araki: A Perspective” at Prism Gallery, 8746 W. Sunset Blvd, through May 9th 2010.

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Olivia Munn rides unicorns for Complex…

Tuesday, March 23rd, 2010

This month, Olivia Munn continues her recent run of magazine covers and takes over Complex magazine. As her fans know, Olivia is no run-of-the-mill TV personality or Hollywood actress. She is willing to do things a little differently — French maid pie-jump, anyone? Well, her Complex cover and interior spread are no exception — in fact, they take on a slightly Disney-like theme. The images are Inserted into a series of cartoons; one of them shows Olivia riding a unicorn — and, unlike many, Olivia can pull it off.

Accompanying the shoot is a great interview. Like her fans, the interviewer seems in awe of her. He writes “Whose heart so brims with scorn and tar that they can’t find love for our favorite actress/G4 host/fanboy crush?” As he so aptly puts it, even the haters can’t hate her.

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Jimi Hendrix’s Lost Days and Last Music…

Wednesday, March 17th, 2010


Three weeks prior to his death in September 1970, Jimi Hendrix retreated to his sanctuary, Electric Lady Studios in Greenwich Village, to record for the last time. In 2003, Rolling Stone named him the greatest guitarist ever — and now, for the first time, the tracks he recorded at Electric Lady  (along with other unreleased gems) are being released as a collection called Valley of the Neptunes.

In this month’s issue of Rolling Stone (available on newsstands today), David Fricke investigates the last days and lost music of Hendrix. He interviewed the guitarist’s inner circle; engineer Tommy Erdelyi and bassist Billy Cox are among those who shared their thoughts. Just before his death, Hendrix said that “this era of music, sparked off by the Beatles, has come to an end. Something new has got to come, and Jimi Hendrix will be there.” Amen. 

Check out a preview of the article online HERE

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Robert Rodriguez talks about Predators at SXSW

Monday, March 15th, 2010

With the festival season fast approaching  (Coachella is just around the corner) one of the most dynamic festivals of the year is kicking off. SXSW in Austin comprises of Film, Music and Interactive conferences. Growing in popularity each year the Film part of the festival has become renowned for premiering the hottest new independent films (last year’s festival screened 250 films – 54 of those being world premieres). 

One of the focuses this year (although not showing) has been the Robert Rodriguez produced Predators – a follow up to John McTiernan’s Predator. Directed by Armored’s Nimrod Antal the film looks likely to far surpass the dismal Alien vs. Predator series we’ve had to endure in recent years. At the screening of trailers and a scene from the movie, the new Predator head was also revealed – which apparently was the highlight of the whole promotion.  With a cast that includes Adrien Brody, Danny Trejo and Laurence Fishburne, maybe it can even live up to the original. Check out a sneak peek above, and Rodriguez discussing the project at SXSW below.

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Lady Gaga and Beyonce world premiere of Telephone

Friday, March 12th, 2010

If you haven’t had a chance to check out the new Beyonce and Lady Gaga video for Telephone (it premiered yesterday) it is definitely one to watch. The highly anticipated video from the unlikely pairing is a Tarantino themed nine minute mini movie. Nowadays it has become rare for artists to create videos of this length, the last one worth any merit probably being Justin Timberlake’s What Goes Around Comes Around - and that was three years ago now. 

Directed by Jonas Ackerland the video – like most Gaga videos – is worth watching for the visuals alone. The costumes are utterly bizarre, featured is a pair of sunglasses made from lit cigarettes and coke cans used as hair rollers (you have to try and ignore the constant and blatant product placement to enjoy the video). But unlike most GaGa videos there is a solid theme and an actual story, which considering the length is lucky. The Tarantino theme is evident throughout: Beyonce and Gaga drive around in the Kill Bill pussy wagon and eat in a diner reminiscent of the one featured in Pulp Fiction. Yes the video is more than cringey at times, but enough fun to make it worthwhile.

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Tarantino and Rodriguez release Machete next month…

Wednesday, March 10th, 2010

The concept for the upcoming film Machete (to be released on April 16) has been around for a while now. In fact, ever since Danny Trejo appeared in Desperado, Robert Rodriguez has believed he should be the Mexican Jean-Claude Van Damme. In fact, Rodriguez wrote the Machete screenplay in 1993 — around the time of Desperado — and has pulled many sequences from that script for his recent films. Now the project has finally come to fruition, with Trejo cast perfectly. 

The film looks typical of both its producer (Quentin Tarantino) and director. Trejo plays the assassin Machete, a Mexican ex-federale who’s hired to kill a corrupt Senator selling illegal immigrants in the United States. The trailer — simultaneously bloodthirsty and funny — speaks for itself, but what it fails to show is the stellar cast behind Trejo, which includes Robert De Niro, Steven Segal, Michelle Rodriguez, Jessica Alba, Rose McGowan and Cheech Marin. Take a look at the trailer above for what is sure to be a Rodriguez classic.

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Oscar Round Up – Bigelow and Stiller steal the show

Monday, March 8th, 2010

Since the moment it was announced Alec Baldwin and Steve Martin were to host this year’s Academy Awards, I had a feeling it would be a good year for the Oscars – and it most certainly was. In terms of numbers, it had the largest audience in five years- since Million Dollar Baby scooped the top prize, but it was more than the ratings that made last night a success. The shadow that had overcast the evening for me was the fear that Avatar would win Best Picture. Yes it was a wildly successful and visually spectacular movie – but best film of the last year? Absolutely not. As soon as Kathryn Bigelow was announced as Best Director for  the Hurt Locker I was convinced that was it – Avatar had to win a major prize and all that remained was Best Picture. Well thankfully I was wrong and the Hurt Locker did pick up Best Picture. In fact indie films dominated the awards last night – receiving twelve statues compared to the nine that films from major studios collected.

As for the rest of the ceremony itself, the hosts were funny – though maybe they could have pushed the envelope a little further – and there was an incredibly touching tribute to John Hughes. The real scene stealer though was Ben Stiller, who presented the award for Best Makeup in character as a Na’vi from Avatar (Avatar was not nominated in this category). Take a look at the video above to watch him garner more laughs than all the other presenters put together.

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