Haiti. Have you helped?

February 9th, 2010

Ever since the tragic events in Haiti, people seem to be doing anything they can to help, and the generosity has been astounding. There are so many charities you can donate to that will help those in need, and hopefully you’ve already given to support the cause. George Clooney led the way; his telethon (which aired on MTV recently) raised $57 million, breaking all records for such events. Often you see these fundraisers and wonder if celebrities are actually giving their own money, or if their agenda is more suspicious. Maybe they’re just doing it for publicity, perhaps? Well, Clooney gave $1 million; Angelina Jolie and Brad Pitt did the same. And it’s not just major celebrities doing their part — Renzo Rosso, the founder of Diesel, recently donated $250,000 to the cause.

The important thing to remember, though, is that every cent helps. When President Obama ran for office, he raised the largest sum of money ever brought in by a campaign. People weren’t donating hundreds of thousands of dollars; what made up the bulk of the contributions were donations of $5 or $10. So if you’re sitting at home and haven’t yet given because you think your money won’t make a difference, think again. 





Banksy’s Move to Movies…”Exit Through the Gift Shop”

February 8th, 2010

Over the years I have spent a lot of time in London, and over the years I’ve watched street artist Banksy tag almost every street at one time or another. The first I saw of his art were the rats. Day by day I would notice a new painted rat; then, over time, the rats started doing things: listening to stereos, sweeping in French-maid outfits, spilling radioactive liquid. Eventually they began to proclaim “Your time will come.” Shortly thereafter came the gorillas. The same image on every wall, road and sidewalk in Soho: a hunched gorilla bearing a placard that read “Laugh now, but one day we’ll be in charge.” It made me laugh, and at the time I had no idea the fame the artist behind it would amass.

Now, of course, you’d be hard-pressed to find many who don’t know about Banksy. If you saw one of his images on a wall and managed somehow to take that part of the wall (I have seen this done), the profits you could make would have you living quite comfortably for a few years. How this least commercial artist’s work has become the source of quarrels over money and celebrity auctions I don’t quite know, but now Banksy is bringing focus back to the art.

At the recent Sundance Film Festival, he premiered Exit Through the Gift Shop. The film was as elusive as Banksy himself; it wasn’t even announced in the Sundance schedule. It chronicles Banksy taking on Los Angeles (anyone remember the Guantánamo prisoner on the Disneyland ride?), and the man he chose to shoot it was Thierry Guetta. Guetta had a camera (which he had been using to film other graffiti artists for years), a giant ladder and an encyclopedic knowledge of the best walls to tag in L.A: in short, he was Banksy’s perfect accomplice. The film Guetta ended up giving to Banksy, Life Remote Control, fell far below Banksy’s expectations; he began to think of Guetta less as a filmmaker and more as “maybe just someone with mental problems who happened to have a video camera.” So Banksy re-cut the film himself. Despite documenting the relationship of the artist and the arguably disturbed “filmmaker,” the movie’s essential point remains: The art is the focus, and that’s exactly as it should be.

 

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Olivia Munn makes another best friend!

February 5th, 2010

So last week during the Sundance Film Festival, the lovely Olivia Munn was hard at work doing some serious interviewing, when who should stumble across her path but Bill Gates. Although the Microsoft honcho is planning no big move into movies, he was there to promote a new documentary, Waiting for Superman. The film, described by one critic as “equal parts sickening, fascinating and inspiring,” focuses on America’s education system (a subject about which many questions desperately need to be answered).

The film has the perfect person at the helm: Directed by Davis Guggenheim (An Inconvenient Truth), it has received a great response. The fact that it was the first movie bought at the festival was a good sign; Paramount did the honors. Ever since Capitalism: A Love Story, I’ve been itching for something like this to come along — with luck, Superman will fill the cinematic void left at the box office whenever a Michael Moore movie isn’t showing. Check out the video above for Gates’s thoughts about the festival, the film . . . and, of course, Olivia Munn’s Twitter!

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Best. Memo. Ever.

February 4th, 2010

If you watch the show “Entourage” then you are probably a fan of Jeremy Piven’s character Ari Gold – every week he is the highlight of the show. Well as you may or may not know Jeremy Piven’s super agent is based on real life agent Ari Emanuel. Emanuel is currently in the process of merging William Morris Entertainment with his own agency – Endeavour. Below is a memo written in the style of Emanuel that made me laugh harder than I have in a long time, purely because I’m sure Emanuel has probably made most of these statements word for word to his new employees (though was probably too smart to put them in writing).

MEMORANDUM

FROM: Ari Emanuel

TO: All @ WME        

If you’re reading this at your desk, congratulations on being part of the new world order.  It’s been a difficult few months for all of us as we’ve navigated the shifting economic landscape while creating a new agency.  I say all of us in the spirit of inclusion but obviously, this was more an issue for you than for me.

I don’t want to get all Ovitz Art of War on you but we’ve been waging this war for survival.  Look around at the empty desks and offices.  Let’s take a moment from rolling calls, gossiping about and yelling at each other to think of our fallen comrades who are now managers, agents and assistants at lesser agencies.  They may walk through the Valley in the shadow of Target but they fear no evil because they no longer have to shoulder the burden of outrageous success.  That is left to us and given that we are setting the tone for how this town conducts itself going forward, I wanted to review basic ground rules for working at WME.  Endeavor team members are living embodiments of these guidelines but for WMA colleagues, there may be many surprises in the days ahead. 

1.    Tough love is our motto, with an emphasis on the tough.  I know that some of you are still mourning Tom Strickler’s departure as evidenced by tying your hipster scarves around your left arms.  I have been lenient during this turbulent time in an effort to approximate compassion.  It’s time to get up from sitting shiva and get back to work.  If you’d like to continue sobbing and tearing at your clothes, might I suggest the local unemployment office?

2.    An extension of the above sentiment is our new WME Boot Camp.  I am excited to announce that Jackie Warner and co. are on board for twice a week workouts alternating with krav maga.  I understand that many of you have “stress management issues” and require daily yoga, pilates and massages in order to beat back the daily tides.  I do not want you to learn how to Zen out.  I want hungry, aggressive teams that roam L.A. like feral animals, hunting for their next meal.  Boot Camp is

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And the nominees are…..

February 3rd, 2010

So the Academy Award nominee’s have been announced (it was the very capable Anne Hathaway who helped reveal the nominees) and it’s clear this year the academy are determined to do things a little differently. In the past decade ratings for the Oscars have been flagging – badly. Last year the ceremony itself improved – the musical number was far better than I think many had expected. But this year with Steve Martin hosting for the third time and Alec Baldwin for the first, we might see some comedy at the Oscars worth laughing at.

In terms of the actual awards the academy has changed in so much that best picture nominations have been increased to ten. An obvious attempt to include the more popular, less dramatic films of the year to hopefully bring in the numbers these box office smashes attract at the cinema seems a smart one. All the nominations in all categories seem solid (perhaps with the exception of Sandra Bullock for “The Blind Side”) and I am hoping against hope “Avatar” does not win best picture. To check out the nominees take a look at the video above.

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The Reviews Are In..

February 2nd, 2010

Here’s another great interview with MYMAG cofounder Magnus Greaves.

Conducted by Magtastic Blogsplosion, it’s slightly less business-oriented than some of Magnus’s recent interviews, focusing more on the magazines themselves. The interview is the final portion of four Magtastic posts about MYMAG. The first three are in-depth reviews of each MYMAG currently available, so if you’d like to know a little more about what’s in each magazine before you buy, check out the reviews below.

AOKI

Hey Olivia!

RATMAG

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Gaga and Elton take on the Grammys

February 1st, 2010

Last night Lady Gaga once again proved why her success is so well-deserved, and that pure creativity deserves recognition. At awards specials, she’s one of the best in the business at creating unforgettable performances. She tells a story and puts on a show. She consistently comes up with new takes on her hits and doesn’t shy away from showing what a gifted musician she is in terms of accompanying her voice on piano (something that doesn’t always show through in studio versions of her songs).

Her collaboration with Sir Elton John was the Grammy highlight I had hoped it would be. Gaga started solo, singing one of her five #1’s, “Poker Face,” in an elaborate “Fame Factory” (her sets never disappoint). Then out came Sir Elton to duet on her new hit “Speechless” before moving onto his classic “Your Song.” This version was unexpected and was the highlight of the night for me; the duo did a great job re-creating the classic. Gaga’s performance made you realize just how much she has earned the two Grammys she picked up last night (Best Dance Recording, for “Poker Face”; Best Electronic Dance album, for The Fame Monster). Check out the video above to take a look.


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Money never sleeps…

January 29th, 2010

 

So the trailer for Wall Street 2: Money Never Sleeps has just been released. I’m pretty sure everyone I know has seen the first movie; it was a pretty seminal ’80s film. I had always hoped Oliver Stone would make a second — who could honestly ever have enough Gordon Gekko? I know sequels have a tendency to fall short of their predecessors, but that seems mainly to be the case when a studio rushes out the second film as quickly as possible in order to replicate the money made by a box-office smash.

In this case, enough time has passed that the story ought to work — it makes sense, with Gekko coming out of jail. Shia LaBeouf has been cast as the young stockbroker (with luck he’ll have more chance to shine than he did in that travesty Transformers), and Frank Langella is also in the film — I’d take any excuse to watch him in action! Check out the brand-new trailer above.

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Covering the decade

January 28th, 2010

Here is a great quick look at the magazine covers of the last decade. It seems to nicely sum up the “noughties” and the scandals of the last ten years. Although these covers are great – just wait and see what MYMAG has instore!

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January 27th, 2010

As we’ve mentioned here before, our very own Olivia Munn will be appearing in Jon Favreau’sIron Man 2. To add to the enormous success the film is sure to enjoy (the first one grossed an insane $585 million worldwide), it now appears the soundtrack will be huge as well. 

The team behind Iron Man 2 has chosen to collaborate with the legendary AC/DC. The soundtrack, which will be released April 19 (three weeks before the film itself, oddly), will feature 15 of the Aussie howlers’ greatest tracks from 1976 to 2008. I have to admit I don’t exactly consider the band’s later work to be its best, but two of my all-time favorites will be included: “Back in Black” and “Highway to Hell.” Given that it’s unclear whether these will be originals or re-recordings, I’m not sure whether the soundtrack will be worth buying; new live cuts would definitely make it worth it! 

This month, AC/DC filmed a video for “Shoot to Thrill” while performing the song live in Buenos Aires — the finished product will feature exclusive clips from Iron Man 2 and will be the first look at how well the film and the band fit together (and it’ll surely offer great footage for everyone desperate to get a peek at the movie).

Pre-order online here

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